Natalie Savelyeva

References

    I. Varnam in Music

  1. The Natya Sastra of Bharata Muni, tr. by Board of Scholars, Oscar Publications, Delhi, 2006
  2. Dattilam of Dattila Muni, ed.&tr. By Mukind Lath, IGNCA, Motilal Banarsidass Pvt. Ltd., Delhi, 1990
  3. Dattilam: A Compendium of Ancient Indian Music by Emmie Te. Nijenhuis, E.J.Brill, Netherlands, 1970
  4. Brhaddesi of Sri Matanga Muni, Vol. I-II, ed. by Prem Lata Sharma, IGNCA, Motilal Banarsidass Pvt. Ltd., Delhi, 1992-94
  5. Saringadeva. Sangitaratnakara. English & Sanskrit. English translation by R. K. Shringy, under the supervision of Prem Lata Sharma, Motilal Banarsidass Pvt. Ltd., Delhi, 1978
  6. Sangitasiromani. A Medieval Handbook of Indian Music edited by Emmie Te. Nijenhuis, E.J.Brill, Leiden, Netherlands, 1992
  7. Natya Locana in Bengali Ms. Collection of the Asiatic Society of Bengal, Ms. No. III E 158
  8. The Varnam: A Special Form in Karnatak Music by Lalitha Ramakrisna, New Delhi : Harman Pub. House, 1991
  9. Varna Swarajati by B.M.Sundaram, Saraswathi Mahal Library, Tanjavoor
  10. Tanjore as a seat of music, during the 17th, 18th, and 19th centuries by Dr. S. Seetha, University of Madras, 1981
  11. Varnasagaram by T.K. Govinda Rao, Ganamandir Publications, 2008
  12. Compositions of Papanasam Sivan: Selected Musical Aspects, by S.R. Jayasitalakshmi, Sruti Magazine, Issue 73, October 1990
  13. Chitta Svaras in Musical Compositions by JayasitalakshmI S R, The Journal of Music Academy, 1984, LV, pp.139-156
  14. Tana Varnam - Its Identity and Significance by Lalita Ramakrishna, The Journal of Music Academy, LXII, 1991, pp. 135-143
  15. The Varnas of Dikshitar Family by S.R. Jayasitalakshmi, The Journal of the Madras Music Academy, 1992, LXIII, pp. 108
  16. The Significance of the Division of Pallavi, Anupallavi and Charana in Musical Compositions by Janakiraman S R, The Journal of the Madras Music Academy, 1977, XLVIII, pp. 128-138
  17. Selected Varnams of the Present Century by Sitamani Srinivasan, The Journal of the Madras Music Academy, 1986, LVII, pp. 145-148
  18. Ragamalika by Dr. M. Hariharan and Dr. Gowri Kuppuswamy, The Journal of the Music Academy of Madras, 1999, LXX, p. 105
  19. Melattur, a seat of Bhagavata Mela (Part I, II) by Melattur S Natarajan, Narthaki.com, Articles, March 2004 http://narthaki.com/info/articles/art108.html
  20. Music and dance during the time of Vijayaraghava Nayak of Tanjore by Dr. S. Seetha, The Journal of the Madras Music Academy, XLVIII, 1977
  21. Mudras in Tanavarnas by Thanjavur B.M. Sundaram, Sri Krishna Gana Sabha Archives
  22. Gem of Composer by Mysore Vasudevacharya, Alapane Series,Deccan Herald, Bangalore, May 28, 1994

    II. Varnam in Dance

  23. The Music of Bharata Natyam by Jon B. Higgins, American Institute of Indian Studies, Oxford & IBN Publishing Co PVT. LTD, New Delhi, 1993
  24. An Analysis of a Bharatanatyam Composition - Relation between Music, Drumming and Dance Movements, Dissertation submitted to the University of Madras, Priyashri V. Rao, Department of Indian Music, University of Madras, Chennai, 1998
  25. The Tamil Padam by Matthew Harp Allen, Wesleyan University, 1992
  26. The Varnam in Bharatanatyam by Dr. Arudra, Sruti Magazine, Issue 80, May 1991
  27. Variety in varnams, Lecture demonstration by Sumathi Krishnan at the Music Academy, Chennai, December 17, 2010
  28. An analysis of the structure of the varnam with special reference to the styles of varnam composers, Lecture by Smt. Rajashree Ramakrishna, Shri Parthasarathy Swami Sabha, Chennai on 23rd Dec 2008
  29. Lecture by Prof. Chandrashekhar, Kalakshetra Foundation, Svanubhava Music Festival, 2012
  30. Bharatanatyam Varnam: the Sum and Substance DVD by Priyadarsini Govind (produced by Swati Soft Solutions)
  31. Traditional Compositions in Bharatanatya, Nirmala Ramachandran, The Journal of Music Academy, LIII, 1982, pp. 165-169
  32. Evolution and Structural Analysis of Varna Forms by Dr. S. Durga, The Journal of Music Academy, 1981, LII, pp. 210-216
  33. Svara Pallavi and Jakkini Darulu by Y. Satyanarayana Rao, The Journal of Music Academy, 1965, XXXVI, pp. 105-112
  34. Jatisvaram and Svarajati by Jayasitalakshmi S R, The Journal of Music Academy, 1989, LX, pp. 168-175
  35. Darus In Karnatic Music by Gowri Kuppuswami, Hariharan M, The Music Academy Journal, 1992, LXIII, pp. 100-107
  36. Dhruva, a Type of Old Indian Stage Songs by Gangooly O C, The Journal of the Madras Music Academy, 1943, XIV, pp. 102-108
  37. The Historical Development of Prabandha Giti by Swami Prajnanananda, The Journal of the Madras Music Academy, 1960, XXXI, p. 80-88
  38. Rare forms in Bharata Natyam by Vyjayantimala Bali, The Journal of the Madras Music Academy, 1988, LIX, p.140
  39. Dance Music and the Contribution of Nattyacharyas to Karnatic Music by the Bharatanatyam gurus K. P. Kittappa Pillai and K. P. Sivanandam, The Journal of the Madras Music Academy, 1977, XLVIII, p. 171
  40. Varnas, Svarajatis of Svati Tirunal by S. Ramanathan, The Journal of the Madras Music Academy, 1963, XXXIV, pp. 135-138
  41. Bharatanatya under the Nayaks of Madura by Dr. R. Nagaswamy, Srikrishnagana Sabha Archieves, 1986-1987
  42. Three Rare Pieces ed. by Vidvan Sri Chennakesaviah of Mysore, The Lournal of the Madras Music Academy, 1963, XXXIV, p. 177-197
  43. Merattur Kasinatha, A Composer of Sabdas of the 18th Century A.D. by Dr. V. Raghavan, The Journal of the Madras Music Academy, 1943, XIV, p.130

    III. Thalam

  44. Solkattu Manual: An Introduction to the Rhythmic Language Of South Indian Music by David P Nelson, Wesleyan University Press, 2008
  45. Nattuvangam: the Cadence and Conduct 2 DVD Pack by Sri Bhagavatula Sitarama Sarma (produced by Kalakriya)

    IV. Abhinaya

  46. Aspects of Abhinaya by Kalanidhi Narayanan, The Alliance Company, Chennai, 2005
  47. Lecture by Dr. Pappu Venugopala Rao on the concept of Rasa in Natya Sastra by Bharata Muni, Kalakshetra Foundation, September 1, 2012

    V. History and Research

  48. Bharatanatyam. A Reader. Ed. by Davesh Soneji, Oxford University Press, New Delhi, 2010
  49. Unfinished Gestures by Divesh Soneji, University of Chicago, 2012
  50. Some Selected Speeches and writings of Rukmini Devi Aruldale, Vol.I-II, ed. by Shakintala Ramani, Kalakshetra Foundation, Chennai
  51. Nirmalam: The Genius of S Sarada ed. by Anita Ratnam, Arangham Trust, Chennai, 1997
  52. Bharatanatyam by Balasaraswati T., NCPA Quarterly Journal 5(4), 1-8, 1976
  53. “Bala on Bharatanatyam” by T. Balasaraswati, trans. By S. Guhan, Sruti Foundation, Madras, 1991
  54. Carnatic Music Composers: A Collection of Biographical Essays, ed. by B.Dayananda Rao, The Trinity Music Book Publishers, Chennai, 2005
  55. Sangeeta and Sahitya : No one right answer by P.K. Doraiswamy, Sruti Web /02/2012
  56. Sahitya bhava in Svati Tirunal’s Compositions by V. Subrahmaniam, The Jouranl of the Madras Music Academy, 1996, LLXVII, p. 128
  57. Sahitya Bhava in Tyagaraja’s Compositions by Dr. Pappu Venugopala Rao, The Jouranl of the Madras Music Academy, 1996, LLXVII, p. 137
  58. Multiple pleasures. Improvisation in Bharatanatyam by Avanti Medhuri in “Taken by Surprise. A Dance Improvisation Reader" ed. by Ann Cooper Albright and David Gere, Wesleyan University Press, Middletown, USA, 2003
  59. Development of Sadir in the Court of Raja Serfoji-II (1798-11832) of Tanjore, A Thesis submitted to the University of Hyderabad for the award of the degree of Doctor of Philosophy, by V.S. Radhika, 1996
  60. Karnataka Composers by T.V. Subbarao, The Journal of the Madras Music Academy, 1992, LXIII, p. 68)
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